Georgia O'Keeffe

Note from the library: Over one hundred reproductions selected by O’Keeffe are accompanied by her own recollections of the inception of the works and major life events.

Note from the library: The most comprehensive record of O’Keeffe’s works of art with over 2000 works arranged chronologically, an extensive bibliography, chronology, and exhibition history complete with early installation photographs. A key reference.

Note from the library: Exhibition catalog for the major traveling exhibition that explores O’Keeffe’s personal style. Illustrations include numerous photographs of O’Keeffe’s homes in New Mexico, portraits of O’Keeffe over her lifetime, O’Keeffe’s paintings and drawings, and rare photographs of O’Keeffe’s clothes and accessories from the Georgia O’Keeffe Museum’s collection.

Note from the library: One of the first O’Keeffe biographies to use sources previously unavailable during O’Keeffe’s lifetime. This new edition features a new foreword by the author setting O'Keefe in an artistic context over the last thirty years since the book was first published, as well as previously unpublished letters.

Note from the library: A biography that draws upon extensive sources including O’Keeffe’s letters.

Note from the library: A brief biography of Georgia O’Keeffe.

Mary Grether Ligon was Georgia O'Keeffe's night companion for two years after the artist dislocated her shoulder. This book is based on the journals kept by Ligon and “offers an up-close look at how Miss O'Keeffe lived her life in her late 80s and includes some of O'Keeffe's life philosophies and how she made it as an artist.”

This is a story about the bonds that shape a family. Directed by acclaimed filmmaker Chris Eyre (Smoke Signals, Skinwalkers), Memories of Miss O'Keeffe shares intimate reflections from generations of the Lopez family, who worked for Georgia O'Keeffe in northern New Mexico during the artist's later years. It shares the humanity behind an icon, the rare beauty of the American West, and connections that withstand the passage of time.

In 1973 Georgia O'Keeffe employed C. S. Merrill to catalog her library for her estate. Merrill, a poet who was a graduate student at the University of New Mexico, was twenty-six years old and O'Keeffe was eighty-five, almost blind, but still painting.

The correspondence and memories of the friendship between Georgia O'Keeffe and Anita Pollitzer.

Note from the library: An exhibition catalog featuring O'Keeffe's art as well as letters from the artist to critics, friends, and colleagues.

Note from the library: Correspondence between O’Keeffe and Pollitzer, a friend. Most letters date from 1915-1917 and are an interesting reference for the formative years of Georgia O'Keeffe's life.

Note from the library: Letters between O’Keeffe and Chabot dating from 1941-1949 describing their connection to the people and places of northern New Mexico and the reconstruction of O’Keeffe’s Abiquiú house.

Note from the library: Correspondence between O’Keeffe and Stieglitz dating from 1915-1933. Letters provide a glimpse into their relationship, the evolution of their art and ideals, and their friendships with range of key figures in American and European art and culture.